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Big choice of free ebooks written by Milan Kundera for your tablet - Book Hits. Author: Milan Kundera. Search Download Immortality (Perennial Classics). To ask other readers questions about Immortality, please sign up. The Unbearable Lightness of Being by Milan Kundera The Book of Laughter and Forgetting. Milan Kundera is the author of the novels The Joke, Farewell Waltz, Life Is Lightness of Being, and Immortality, and the short-story collection Laughable.
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Grid List. Order By: Milan Kundera's sixth novel springs from a casual gesture of a woman to her swimming instructor, a gesture that creates a character in the mind of a writer named Kundera In this thought-provoking, enlightening, and entertaining essay on the art of the novel, Kundera suggests that the curtain represents a ready-made perception of the world that each of us has There are situations in which we fail for a moment to recognize the person we are with, in which the identity of the other is erased while we simultaneously doubt our own Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late s In this dark farce of a novel, set in an old-fashioned Central European spa town, eight characters are swept up in an accelerating dance Disconcerted and enchanted, the listener follows the narrator of Slowness through a midsummer's night in which two tales of seduction interweave and oscillate between the sublime and the comic Follow Us On.
Get all 60 of our published audio books for free: Download 60 Free Audio Books. Search Go Advanced Search. However, at the back of my mind, history kept telling me that many other novels have started out in the stratosphere only to plummet to the bottom of the ocean. Milan Kundera's 'Immortality', starts great, gets better, and ended with a lump in my throat, and a soul that was struck by a chord.
No actually, forget the single chord, this was more like an Orchestra going in full swing.
Kundera has worked wonders here. Witne To become engaged within the first few pages of a book is always a good sign. Witnessing a playful, sexual, yet sweet physical gesture of a woman by the swimming pool, begins. Kundera weaves a story around this starting gesture. Slowly introducing other characters that are part of her life and compares her life in the 20th century with another one a century earlier.
It is an interesting perspective on what immortality is. What do people remember you for? Are you remembered only by your loved ones, or are you revered or scorned by the entire world? These are questions that will definitely get you thinking, and thinking plays an integral part in Immortality, as the words on each and every page only go so far, as Kundera puts the emphasis on the reader to sit comfy, and give his or hers full attention.
Tried reading on the metro, forget it , this is a book that pays off reading in seclusion as much as possible. In a skillful way, new characters silently crawl out of the woodwork, leaving you hanging, only to be bought up randomly somewhere else in some other context. This does keep you engrossed, it does also become a pain, but a pain worth putting with. Empathy is slowly drawn into the picture, as characters are slowly woven in an intermittently way, that it strangely sexual and often quite perplexing.
Kundera's characters acquire psychologies and histories, but they start out and continue to function chiefly as images, provocations: These images are not illustrations of pre-formed thoughts, but they are not simply pieces of novelistic behaviour either. They are meetings between persons and notions, or more precisely, written, re-created, invented records of such meetings.
There are some beautifully written passages of writing, likened to a philosophical voyage into Paradise, and there IS a wonderfully elegant and provocative story lurking under, indicating a second read may help untangle the knots of uncertainty, as Kundera teases the reader with provocations and paradoxes that require some deep pondering.
This is a book without conclusion, there really isn't a beginning, middle or end. After the closing pages, I was left moved, awestruck, and slightly mentally exhausted. View all 34 comments. Jul 06, Elyse Walters rated it it was amazing. View all 27 comments. View all 22 comments. Feb 18, Violet wells rated it it was amazing Shelves: Even we ourselves are constrained to represent our lives with isolated images because memory, he tells us, is incapable of retaining anything but snapshots of time, isolated frames which no effort of will can restore to a detailed and continuous home movie.
We are confined to the snapshots memory selects to preserve. And ultimately, in death, we become how people remember us. We become a series of snapshots, an image. At the time of writing this novel Kundera was pretty much guaranteed immortality. Understandable then that he should ponder what form this immortality will take.
In one episode he has Goethe and Hemingway discuss their posthumous lives. Hemingway is unhappy that his books have become eclipsed by the innumerable biographies of his life. To Goethe Bettina appears nothing but an episode. Little does he know that this largely inconsequential girl will become one of the editors of his posthumous life.
Episodes are like land mines. The majority of them never explode, but the most unremarkable of them may someday turn into a story that will prove fateful to you. He is surprised these two characters know each other.
Perhaps one test of a masterpiece is that it should improve on a second reading. Some elements seemed dated, like his obsessive whining about noise pollution. Guitars and motorbikes especially cited as enemies of civilised life. We now face much worse forms of pollution and his singling out of urban noise levels made him appear a grumpy old man at times.
As his starting point Kundera shows us an elderly woman performing an alluring gesture she had used as a young girl. It was the charm of a gesture drowning in the charmlessness of the body. Elderly women for most of us are no less capable of performing charming gestures than anyone else.
Some of the most beautiful and haunting gestures I have seen have been performed by elderly people. He too, like Hemingway, might be complaining to Goethe in an afterlife that he has been misrepresented by biographies.
View all 26 comments. Nesmrtelnost is a novel in seven parts, written by Milan Kundera in in Czech. First published in French. English edition p. This novel springs from a casual gesture of a woman, seemingly to her swimming instructor.
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Jan 16, Shelly rated it it was amazing. One of 3 books I would take to a desert island. A beautiful discussion on the nature of our legacy, what we decide to leave or not leave when we die. How that changes in time and how we can not do anything about it. Especially relevant to artists and writers. Delves into the nature of love and families while he is at it. It would take a life time to discuss this book.
View all 9 comments. View all 5 comments. Feb 17, Ali rated it liked it. View all 6 comments. Sot Weed F Playful This is definitely not for me I reiterate — if you read the spoiler. Fiction is mostly for pleasure at my age. Immortality has faint traces of this sort of postmodernism. But not enough to deter me.
I found it a very interesting read, to say the least. The first character we gradually discover is Agnes. Agnes is built from a gesture that the narrator sees an older woman make at a swimming pool. At that instant I felt a pang in my heart! That smile and that gesture belonged to a twenty-year-old girl! Her arm rose with bewitching ease. It was as if she were playfully tossing a brightly colored ball to her lover.
That smile and that gesture had charm and elegance, while the face and the body no longer had any charm. It was the charm of a gesture drowning in the charmlessness of the body I was strangely moved.
And then the word Agnes entered my mind.
I had never known a woman by that name. But wait. Is this elderly woman, charmless, possibly named Agnes , really a character in the novel?
And what about that first-person narrator?
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Is he not a character, in a sense? To answer the second first, no, the narrator is in fact Milan Kundera, the author. Not fictional, so far as I know. The first question requires a couple more pages of reading. Then, When I wake up, at almost eight-thirty, I try to picture Agnes. She is lying, like me, in a wide bed. The right side of the bed is empty. Who could her husband be? Clearly, somebody who leaves the house early on Saturday mornings.
Then she gets up. Facing her is a TV set, standing on one long, storklike leg. She throws her nightgown over the tube, like a white, tasseled theater curtain. She stands close to the bed, and for the first time I see her naked.
Agnes, the heroine of my novel. Who is Agnes? At the time, that gesture aroused in me immense, inexplicable nostalgia, and this nostalgia gave birth to the woman I call Agnes.